Linda has been mulling over what an education is, what purposes it serves. She was so curious about it that she begin to reflect on the etymology of the word. The root of “educate” comes from educe, from the Latin, meaning "to lead forth" or "lead out of," which then led her to think, leading out of … what? From where and to where? And who is doing the leading? For whom? And why? Weaving in her personal conversations and experiences alongside different cultural texts – from Valley of the Bird Tail to An Education to Tom Wayman’s “Did I Miss Anything?” – she ultimately focuses on M. NourbeSe Philip’s She Tries Her Tongue, Her Silence Softly Breaks to demonstrate the potential deleterious effects of an “education.” It is not always an innocent or innocuous process.

Indigenous mothers, Indigenous children, Indigenous parents – Willie Poll sees you – and she wants you to know that you’re enough.


In this episode of Getting Lit With Linda, Willie Poll (Metis Nation of Ontario) discusses with Linda why she wrote this children’s book, titled My Little Ogichidaa, and the source of inspiration for its creation – in large part, the Moose Hide Campaign (2:00).

Linda begins this episode with a brief acknowledgement of the passing of Nobel Prize winner for the short story, Alice Munro – who died a couple of days before this episode was aired. It's a pertinent moment to take pause when the subject of this episode is, in part, about anniversaries - which often include remembering when a beloved person dies or, as was the case only a few days ago, honouring a special person - like mothers on Mothers' Day. Who we choose to so honour and how we do so says a great deal about us, not just the persons we are honouring.

In this live episode -- the second one of Getting Lit With Linda held at the Blue Metropolis Literary Festival and co-sponsored by the Quebec Writers' Federation -- Linda speaks with Andrew Stobo Sniderman and Douglas Sanderson (Amo Binashi, Beaver Clan, of the Opaskwayak Cree Nation) about their book, Valley of the Birdtail: An Indian Reserve, A White Town, and the Road to Reconciliation. The book has been receiving all manner of recognition — and deservedly so. In this interview, Douglas and Andrew explain how and why we have arrived at the present moment, and how there is hope for finding the pathway toward meaningful reconciliation.

What does the work of painter Renoir and his paintings of full-bodied women (2.15; 12.34), and tanning beds (2:30) have to do with the Quebecois author Marie Claire Blais (3:15) and La Belle Bette/Mad Shadows (3:20)? Have a listen to today’s episode to find out … In this episode, Linda looks at Blais’s Mad Shadows and its historical importance to Quebec.

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Quel est le rapport entre l'œuvre du peintre Renoir et ses tableaux de femmes épanouies (2.15 ; 12.34), et les lits de bronzage (2:30), et l'auteure québécoise Marie Claire Blais (3:15) et La Belle Bette/Mad Shadows ( 3:20) ? Écoutez l'épisode d'aujourd'hui pour le découvrir... Dans cet épisode, Linda se penche sur La Belle Bette et son importance historique pour le Québec.

In this episode, Linda and Bryn Turnbull discuss her new historical novel, The Paris Deception - and what it means to represent women's lives historically when there has been inadequate records or representation for them.Linda considers the Indigo Girls and their song about Virginia Woolf - and listening attentively to the voices of women through time. Turnbull alludes to The Monuments Men (both the movie and the book) and her novel as an equivalent for women to such a story. Among other topics, we address necessary deceptions (18.56), significant visual art work still missing since the Second World War (21.30), and women as scapegoats during Second World War (27).

Michael V. Smith is a deeply loving, insightful poet and performer – who uses intimacy and humour as tools to explore pain. In this interview, Linda chats with him about power dynamics and bullying, as they address his poetry collection, Queers Like Me (published by Book*hug in 2023).

Eloise Marseille is the first guest for Season 5 - yes, season 5! - and, this time, it's English AND French (starting at the 31.55 mark for the French interview). Marseille is a wonderful Quebecoise graphic novelist, whose candid and humorous book, Naked: The Confessions of a Normal Woman / Confessions d'une Femme Normale examines sexuality and self-love--especially as it bears on women, cis- and trans-.

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Eloise Marseille est la première invitée de la saison 5 - oui, la saison 5 ! - et, cette fois, c'est en anglais ET en français (à partir de 31.55 pour l'entretien en français). Marseille est une merveilleuse écrivaine, dont le livre candide et humoristique, Naked: The Confessions of a Normal Woman / Confessions d'une Femme Normale, examine la sexualité et l'amour de soi, en particulier en ce qui concerne les femmes, cis et trans.

Linda wishes her listeners a very happy holiday - and offers a hint about what to expect for at least the first episode of Season 5! Have a restful, joyful period. Getting Lit With Linda returns on March 1, 2024.

In this episode, Linda chats with Dr. Katherine McLeod about her role in the SpokenWeb Podcast, particularly Short Cuts. The conversation covers so much ground in such a short period! We talked about SpokenWeb’s beginnings, but here is another example. And, if you're curious, here is a sample of McLeod talking about “holding the sound” in a ShortCuts episode.

Linda is thrilled to have been able to conduct this interview with one of the foremost feminist scholars in Canada right now—Erin Wunker. They speak about her book Notes from a Feminist Killjoy, published by book*hug, and the important work it undertakes in relation to the labour of being a “feminist killjoy.” Don’t know what a feminist killjoy is? Give this interview a listen to find out more. ….

In this episode -- recorded live in Tiohtià:ke in the DeSeve Cinema at Concordia University -- Linda interviews award-winning authors, Catherine Hernandez and Eva Crocker, as part of the Read Quebec Book Fair.

In this episode, Linda reflects on Dionne Brand's magnificent A Map to the Door of No Return: Notes to Belonging, reprinted by Vintage (a division of Random House) in 2023 - but initially published over twenty years ago. That's the staying power of this particular volume - the "Door of No Return" is a particularly harrowing metaphor and, as Linda notes, there are many expressions that use "doors" in contemporary usage. Just not like this book does! A prolific and accomplished writer and professor, Brand is referring to the Black diaspora vis-a-vis the Black Atlantic slave trade.

Linda speaks with Métis playwright, actor, and director, Keith Barker about his play, This is How We Got Here (Playwrights Canada Press) It is a moving interview, as Barker explains the origins and shape of this play.

Linda also invites Barker to read from his play, which he does, selecting the first scene related to the fox figure (25.25).

In this episode, Linda begins by speaking about the kinds of assumptions made about her because of her Italian-Canadian immigrant background - and then expands that consideration to show how making such assumptions can actually be harmful. Case in point? The Christie-Pitts riot on August 16, 1933. There have been two graphic novels written about this riot: one simply titled Christie Pitts and the other titled The Good Fight.

This episode focuses on Amy Jones (2.13), author of Every Little Piece of Me (2.27), We're All in This Together (2.27), What Boys Like (2.37), and Pebble & Dove (2.45), published by McClelland & Stewart -- and the focus of this episode.

We also discussed Amy’s appearance at Word on the Street (.39 and 9.08) and her forthcoming appearance at the Eden Mills Literary Festival (5.12 and 8.53) on September 9th (see this link for tickets to the event). If you'd like to know more about how to support manatees and the seagrass programs that are important to their survival, visit the Save the Manatee Program.

In this episode, Linda first celebrates with her co-producer, Marco Timpano, that the podcast has been named a Finalist for the People's Choice Podcast Awards. Then she chats about the new Barbie movie around which there has been so much hype. She differentiates between change and transformation in relation to gender, and then applies this to the wonderful literary work of Vivek Shraya, including People Change. In the Takeaway, she connects Shani Mootoo's Cerebus Blooms at Night and Moving Foreward Sideways Like a Crab to the notion of transformation.

Erum Shazia Hasan’s We Meant Well (ECW Press) – Linda raves about this debut novel by Erum Shazia Hasan. In this novel, Maya’s colleague, Marc, has been accused of assaulting a local girl in Likanni, and so Maya is called from Los Angeles to deal with the crisis. The pressures are mounting for Maya as she tries to contend with this situation, grapple with her complex past, and grapple with her present personal life, which threatens to collapse. In this interview, Hasan talks about how difficult it is to doubt colleagues or people we like or trust, and who have done noble things – things which stand in contrast to the accusations that have been leveled at them.

Linda and Lisa Moore converse about her most recent novel, This is How We Love (House of Anansi). Their conversation traverses various subjects, including the formal aspects of the novel, the job of the novelist (5.40), questions of genre (6.40), the use of Audible, the importance of editors (with a nod to Melanie Little, Lisa's editor, 10.30)and the complexities of loving. One of the most fascinating turns in this discussion relates to Lisa's point about the democracy of loving and voice (8.40 and 27.23), her understanding that reading literature is an anti-capitalist endeavour (16.20). The interview is a wonderful introduction to a compelling, exquisite novel, in which every page is rich in detail and affective complexity.

As a fellow endo-patient, Linda makes herself vulnerable in this episode, talking frankly with the author, Tracey Lindeman, by whom she was so inspired. Lindeman, who authored Bleed: Destroying Myths and Misogyny in Endometriosis Care (published by ECW Press in 2023), uses personal experience, interviews, and research to take a deep dive into the healthcare system and the medical treatment (or lack thereof) of endo-patients.