In this episode, Linda interviews Lee Lai about Cannon, the graphic novel for which Lai was shortlisted for the Carol Shields Prize (the only author on the shortlist with a Canadian connection).The friendship between the protagonist of the same name (Cannon) and Trish puts the very definition of their relationship to the test, complicated in part because Cannon is trying to be responsible to everyone around her—and the net result is that Cannon fails to advocate for herself.

Lai refers to Love in a F** Up World by the activist and educator Dean Spade, which Linda picked up after the interview. She was fascinated by Spade's question: How do we build lasting and effective resistance movements, if we are not even examining the ethical foundations of relationships like friendship? That’s the question that Lee Lai takes up. Lai isn’t dismissive or casual about friendship—it isn’t “just friendship” in that sense, but rather friendship that is fair, ethical, democratic.

This episode of Getting Lit With Linda focuses on Canisia Lubrin’s award-winning book, Code Noir (Knopf 2023), for which Lubrin won the Carol Shields Prize for Fiction, among other accolades. In consideration of this book and how the reader is invited to engage with it, Linda mulls over Eve Sedgewick's essay, "Paranoid Reading and Reparative Reading, Or You're so Paranoid, You probably Think This Essay is About You." Applying Sedgewick's sense of the "reparative reader," Linda sees Lubrin's Code Noir (based on the real-life set of historical decrees that were passed centuries ago, in 1685 by King Louis XIV of France) as enjoining readers to participate in this way while considering the Black diaspora - not with a sense of paranoia (defensive!) but rather with an open and unassuming posture. Because, above all else, Lubrin's Code Noir reminds us of the possibilities of art, form, and language, and our engagement with them.